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DRAMA     12 Episodes     2023

COPYCAT
KILLER

 

Work Duration:  JUN. 2021 - FEB. 2022

Official site:  NETFLIX

Presented by:   NANG FANG FILM PRODUCTIONS CO., LTD.

                                 GREENER GRASS CULTURE CO., LTD.
Director:  JUNG-CHI CHANG,   HENRI CHANG

Cinematographer:  KO-CHIN CHEN
 


Production Designer:  JEN-CHIEH HSIAO

                                                 (GEE ART DESIGN STUDIO)

Art Decorator:  YI-XUAN TZENG

Art Designer:  YUEH CHIU

Art Designer Assistant:  MENG-YING HUANG,    MEI-YU HONG

Graphic Designer:  YU-HUI CHU

Graphic Design Assistant:  LI-TING LI

Accountant:  YI-HUA CHIU
Prop Master:  SHENG-WEI HUANG,   YUN-HAN JHANG

Prop Master Assistant: WEI YI,  CHING YU HSIAO,

                                                  TINA CHOU,   JHIH-WEI LIN,   RUEI-YI YAN

                                                  CHIAO-CHU LIN,   WAN-LIN HUNG

Support:  MEERKAT CHOU,   WEI-SIANG KAO,    YOU-SI WANG

                     WEI-CHING LI,   CHIA-HSUAN CHU,   AMA LI

Set Decorator:  WEN-HISN CHENG,   TING-HSUAN LI,

                                  CLAN-RONG HUANG,   WEI LI

Set Decorator Support:  YU-JOU LU,   CHENG-HUEI CHEN
                                                    SHING-YU FANG,   SHOW HUANG

Buyer:  WEN-TING WANG,   CIH-EN HSU,   LUCY YEH,   YU-HUI WANG

                 YU-JUN CHEN,   YAO CHIU,   HSIAO-YUN FEI,   HSIN-YU TU

                 YI-CHUN LING,   PEI-YI SHIH,   HSIN-YI TSAI,   YA-TING HO

                 LI-TING DAI,   SHAO-FANG LIN

Buyer Support:  CHIAO-YU YOU,   JING-YU LU,   JAY LIAN,   EDEN HUANG

                                    YU-HUEI CHEN,   RICK LIAO,   EUGENIE JUAN

                                    YUNG-CHENG KUO,   MIMI LEI,   MOIRA LIN

                                    TRICIA TSAI,   YI-CHUN LIN,   ZI-YING LIAO

                                    PIN-HSUAN HSU,   WEI-CHEN ZHAO,   TING-YI YEH

                                    YA-LAN YANG,   CIAN-JHEN HUANG,   YA-SYUAN SIE

Intern:  FREYA HUANG,   TSAI-JUNG YANG,   TING-YU HSU,   JHIH-AN YI
 

▲  CREW LIFE
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-Netflix’s Global top 2 for non-English TV (1st week )

-Weekly No.1 in Taiwan, Hong Kong, Singapore (3rd week)

-Weekly Top 10 TV across 20 markets

  (UAE, Kuwait, Qatar, Greece, Romania, Uruguay, etc.)

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-Nominated 17 categories at the 2023 58th Golden Bell Award in Taiwan

-​Won Best Art and Design for Drama Series

First time working on a TV series, luckily the budget was higher than usual, and with A-listed crew in Taiwan, also having more time to assist our production designer in developing the concept visual forefront than ever, felt so grateful! Have learned much more than I had expected.

▼  VISUALS BEFORE LOCATION SCOUTING

As the leader of the design team, I got to take care little details that fit the story background, which was the 90s. We always debated what kind of elements that were commonly used at the period, did quite a great amount of research, hope to make it realistically old-fashioned, but not out of fashion for today. It was enjoyable to brainstorm with my teammates, applying those details into different scale of objects such as small logos, flyers, jail documents, room for teenager, night club interior,  news broadcast office and its iconic talk show scenes, etc.

▼  A 90s NIGHT CLUB

▼  A 90s RISING NEWS BROADCAST STATION
▼  A 90s PRIME TIME POLITICAL TALK SHOW  (with version transformation )

Never ever felt so stressed by such extremely tight shooting schedule, there might had 5 scenes on constructing every day, sometimes need to drive all day long to different locations. But always glad to see carpenters and painters, solving problems with them on-site would always be the top 3 delightful things for me.

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